
The “Dictionnaire Infernal” is a book on demonology, organized in the form of an encyclopedia, that was written by Jacques Auguste Simon Collin de Plancy and first published in 1818. The most famous edition of the book was published in 1863 with illustrations by Louis Le Breton, depicting the appearances of several demons. The art and illustrations within this edition have had a significant impact on how demons and the supernatural are visually represented in Western culture.
To understand the art and illustration of the “Dictionnaire Infernal,” it’s essential to consider the context in which this work was produced. The 19th century was a period rich in occultism and a renewed interest in the supernatural, partly as a reaction to the Enlightenment’s emphasis on rationality and science. In this environment, books like the “Dictionnaire Infernal” found an eager audience.
The illustrations by Louis Le Breton are particularly noteworthy for their detailed and imaginative portrayal of demons. Each illustration is accompanied by a description of the demon’s characteristics, powers, and sometimes even their rank in the infernal hierarchy. These images were not merely decorative but served as a visual encyclopedia of the demonic, intended to educate and fascinate the reader.
Le Breton’s work on the “Dictionnaire Infernal” stands out for its artistic quality and its influence on later depictions of demons and the supernatural. His illustrations have been reproduced in various forms over the years, influencing not only other occult works but also popular culture, including movies, video games, and graphic novels.
Given this context, we can assess the significance of art and illustration in the “Dictionnaire Infernal”:
-
- Educational Purpose: The illustrations served an educational purpose, aiming to provide a visual representation of entities that were otherwise difficult to imagine. This made the supernatural more accessible to readers.
- Artistic Influence: The artistic style of Le Breton’s illustrations has influenced subsequent generations of artists and illustrators interested in the supernatural and horror genres.
- Cultural Impact: Beyond their immediate impact on occultism, these illustrations have permeated broader cultural contexts, influencing how demons are depicted across various media.
- The book went through several editions between 1818 and 1863. The 1863 edition included 69 illustrations by Louis Le Breton depicting the appearances of several demons.
The book attempted to provide an account of all knowledge concerning superstitions and demonology. While the author was initially skeptical, he became a devoted Catholic and revised the book to conform with Catholic theology.
The content of the book varied across editions, with additions and changes made between 1818 and 1863. The sixth and final 1863 edition included many engravings and sought to affirm the existence of demons.
Many but not all of the illustrations from the 1863 edition were later used in S.L. MacGregor Mathers’ edition of The Lesser Key of Solomon.